BLUE FILM

50,000 for a private encounter: an offer too good to be true. But who is the masked man (Reed Birney) who pushes fetish camboy Aaron (Kieron Moore) to expose himself, physically and emotionally, on camera? When Aaron discovers his client’s identity, he is drawn into a disturbing game of cat and mouse.

Elliot Tuttle’s chamber piece follows in the tradition of the Cinema of Transgression, delving into the darker reaches of intimacy and desire. The film resists easy answers, confronting us with the uneasy interplay of fascination and repulsion.